Animal in You Kickstarter Campaign: Become a patron, explore your inner animal

Animal in You: How would it feel to dive into your own surreal, dream world through an inkblot painting?


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I am looking for lovers of art and the human mind to collaborate with me to produce a series of 60 oil paintings (35x35cm) guided by your interpretation of an inkblot and inspired by what you see within the shapes and forms of the paint.

I’ll invite you to gaze at an inkblot and tell me what pops into your head (I promise I won’t psycho-analyse you, unless you want me to that is!). Once you let me know what you see, I’ll get to work on a painting just for you 🙂


Jessica Ballantyne Inkblot Rorschach Animal in You.jpegJessica Ballantyne Inkblot Rorschach Animal in You.jpeg

The painting will be created on raw, unstretched canvas. I love the sandy colour of raw canvas. It has a lovely feel and texture and as such is the perfect medium for bringing the inkblot to life.

Your Animal in You painting will be one of a kind with you in mind. Influenced by surrealist techniques and klecksography (creating images out of inkblots) Animal in You explores and celebrates animal symbolism and the subconscious mind.




Jessica K Ballantyne Inkblots Animal in YouJessica K Ballantyne Inkblots Animal in You

If I reach my goal

You will be invited to a virtual, solo exhibition and live stream of Animal in You. Your painting will be among the surreal menagerie of artworks on display in a dreamy, interactive, virtual environment. I plan to take the experience even further by creating a memorable book of the inkblot paintings which will include animal archetypes, quotes from participants and potentially, from a qualified therapist or psychologist.



Why Inkblots?

The inkblot test (also called the “Rorschach” test) is a method of psychological evaluation that psychologists use to examine the personality characteristics and emotional functioning of their patients. In my opinion, inkblots are the icons of psychoanalysis and represent the mind’s incredible ability to make sense of random, abstract forms.

I love the process of studying an inkblot and seeing what images pop up, for me it’s usually animals, hence Animal in You.

I’ve always been fascinated by the animal side of our human nature, the instinctual and unconscious desires that often drive our actions. What started as a rather personal series, changed as I began to share the inkblots with people and gain insights into what they were seeing.

Different people see different things within the same inkblot. This is a fascinating way to connect with the subconscious minds of others. I am interested in Jungian archetypes and how the animals that sometimes appear hold surprising symbolic meaning for the viewer.

“The instincts are a far better protection than all the intellectual wisdom in the world”– Carl Jung

How it Works

*1. You will receive a picture (via email) of an inkblot which has been made on raw, unstretched canvas .


Example inkblot. Each participant will receive a picture of a different inkblot that I've pre-made, on raw canvas.Example inkblot. Each participant will receive a picture of a different inkblot that I've pre-made, on raw canvas.

Example inkblot. Each participant will receive a picture of a different inkblot that I’ve pre-made, on raw canvas.

*2. We will have a conversation about what you see (via email or skype) and I’ll use your vision to develop a digital collage as a plan for the painting (If you would prefer not to chat about what you see, you can leave it up to me to create a unique original Animal in You painting with you in mind.)


Example photo collage. Using Photoshop and inkblot photos I create a digital collage based on your interpretation of an inkblot.Example photo collage. Using Photoshop and inkblot photos I create a digital collage based on your interpretation of an inkblot.

Example photo collage. Using Photoshop and inkblot photos I create a digital collage based on your interpretation of an inkblot.



*3. I’ll use the digital collage as inspiration to develop the canvas inkblot with layers of oil paint.


Original Animal in You oil painting, 35x35cm, unstretched, raw canvasOriginal Animal in You oil painting, 35x35cm, unstretched, raw canvas

Original Animal in You oil painting, 35x35cm, unstretched, raw canvas

*4. I’ll need approximately 5 months of full time dedication to make this project a success. I plan on including (and paying) other creatives as much as possible to help with things like the book and the Animal in You virtual exhibition.

Rewards

£5 

  • Animal in You ebook (pdf)

  • Full colour, digital format 

  • Easily converted to kindle or other ebook readers

  • Invite to the private view live stream exhibition

£20

  • Animal in You soft cover book

  • Limited edition, signed

  • Will feature all the Animal in You paintings, quotes from participants, the artist and a professional therapist/psychologist specialising in Jungian analysis.

  • Invite to the private view, live stream exhibition

  • *above is an example of the kind of book I plan to create (A4 landscape, soft cover). Update: I did not reach my goal on Kickstarter but am offering the book at a smaller size. Preorder the book in my shop.


Animal in You book Jessica K Ballantyne Jungian Inkblots RorschachAnimal in You book Jessica K Ballantyne Jungian Inkblots Rorschach

 £95

A photo collage is created before each Animal in You painting is started and serves as the plan for the oil painting. 

If you prefer prints to paintings, this is a quirky alternative to the Animal in You original painting and is still completely unique to you and your interpretation of an inkblot.

Your photo collage will be printed on museum quality paper with archival inks which means rich, vibrant colours.

  • Animal in You Photo Collage PRINT

  • One of a kind, unique to you, based on your interpretation of an inkblot

  • Archival, museum quality print on Hahnemuhle paper

  • 1/1

  • 35x35cm

  • Signed

  • Invite to the private view live stream exhibition

  • £1 donation to World Wildlife Fund

  • *will differ from the image below, based on what you see in the inkblot image I send


Example of what your digital print could look like, unique to you and what you see in your inkblot. Created using Photoshop and canvas inkblot images.Example of what your digital print could look like, unique to you and what you see in your inkblot. Created using Photoshop and canvas inkblot images.

Example of what your digital print could look like, unique to you and what you see in your inkblot. Created using Photoshop and canvas inkblot images.



£190

An original Animal in You oil painting, based on your interpretation of an inkblot. 

  • Animal in You oil painting (unstretched, raw canvas, 35x35cm)

  • Animal in You ebook

  • Your painting featured in the book

  • Acknowledgement in the book

  • VIP Invite to the private view live stream exhibition

  • £2 donation to World Wildlife Fund


Original Animal in You painting on raw, unstretched canvasOriginal Animal in You painting on raw, unstretched canvas

Original Animal in You painting on raw, unstretched canvas

£210

Original Animal in You painting PLUS the Animal in You book.

  • Animal in You oil painting (unstretched, raw canvas, 35x35cm)

  • Animal in You book

  • Your painting featured in the book

  • Acknowledgement in the book

  • VIP Invite to the private view live stream exhibition

  • £2 donation to World Wildlife Fund



£490

Go Big! Same process except bigger. Your painting will measure 60x60cm. 

  • Animal in You original oil painting (60x60cm)

  • Animal in You book

  • Your painting featured in the book

  • Special acknowledgement in the book

  • VIP Invite to the private view live stream exhibition

  • £5 donation to World Wildlife Fund

  • *below is an example, your painting will be based on your unique inkblot and interpretation

*painting is created on unstretched, raw canvas and delivered rolled up in a tube for safety. It will need to be framed before it can be displayed.


Example of a 60x60cm Animal in You paintingExample of a 60x60cm Animal in You painting

Example of a 60x60cm Animal in You painting

£950

Make a statement! Same process, even bigger. Your painting will measure 85x85cm. 

  • Animal in You original oil painting (85x85CM)

  • Animal in You book

  • Animal in You ebook

  • Your painting featured in the book

  • Special acknowledgement in the book

  • VIP invite to the private view live stream exhibition

  • £9 donation to World Wildlife Fund

    *painting is created on unstretched, raw canvas and delivered rolled up in a tube for safety. It will need to be framed before it can be displayed.


Example of an 85x85cm Animal in You paintingExample of an 85x85cm Animal in You painting

Example of an 85x85cm Animal in You painting

The Animal in You Virtual Exhibition 

I plan on working with creatives to build a surreal, dreamy virtual gallery space, which will be accessible to anyone with an internet connection. The goal is to exhibit the paintings online but also to create an alternative gallery space unlike anything you have seen before. Think mood lighting, chaise longues and surprising objects inhabiting the exhibition space.

The beauty of creating a virtual gallery is that the limits that exist in real time and space do not apply in the virtual world, which leaves a lot of room for an imaginative environment that suits themes of the unconscious and dreams. The online gallery will be interactive (meaning you can move around the virtual space using your keyboard or phone, much like a game).

I’m very excited to work with other creatives on this aspect of the Animal in You project.


An example of a virtual exhibition space. The Animal in You virtual exhibition will differ in appearanceAn example of a virtual exhibition space. The Animal in You virtual exhibition will differ in appearance

An example of a virtual exhibition space. The Animal in You virtual exhibition will differ in appearance

Live Stream

The virtual exhibition will have an opening evening in the form of a live stream. You can watch live, online, as I walk you through the virtual gallery space, discussing the paintings and the Animal in You journey.  During the live stream, guests can post questions and interact with one another in the comments.

VIP guests will get entry into the live stream one hour before anyone else and will have the opportunity to ask me questions, live, about their painting and the project.

Hopefully I’ll be able to arrange an appearance by a Jungian specialist/therapist to add insights along the way, to talk about inkblots and the subconscious and add value to the live stream experience.

The Impact

Your contribution will help me evolve my creative practice and produce a series of paintings which I truly believe will spark conversation and bring connection and joy to people.  It will be another step in the direction of touching as many like-minded art lovers as I can and of sharing the meditative quality, magic and joy of introspective art.

As a professional artist and teacher, this project will help me to develop my practice, not only through the research into this intriguing branch of psychology, but also to develop my craft and collaborate with others to create art with meaning.


Greatart residency and Animal in Me inkblot workshop participantsGreatart residency and Animal in Me inkblot workshop participants

Greatart residency and Animal in Me inkblot workshop participants

I have offered several free workshops to the public and have been invited to do my second Animal in You workshop at Greatart, a large art store in London, which supports artists in a multitude of ways. These workshops afford the public the opportunity to create their own inkblots and develop them as they wish, with my guidance.


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This project will increase my credibility and allow me to spread my reach, offering more opportunities for the public to engage with art that is therapeutic and psychologically beneficial.

What others are saying


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Meet the artist


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I was born in South Africa and moved to London in 2009 after graduating with a BA (honours) in Fine Art from the University of Pretoria. I create oil paintings in the theme I’m most passionate about, the body mind. I have a great curiosity about dreams and the subconscious and the many ways these drive people. Animal in You combines my love of surrealistic methods like automatism (a surrealist technique of free-association or creating without thought or plan) with pareidolia, the phenomenon whereby we see faces in random patterns, shapes and forms.

I am a qualified teacher of art and design and teach at a college where I realised the therapeutic and psychologically beneficial qualities art had for my special needs learners in particular.

I have gone on to offer several free workshops to the public, two of which have been Animal in Me workshops at Greatart store in Hoxton, where participants made their own inkblots and, with my guidance, brought out their own vision with paint.

Animal in Me inkblot workshop and residency at Greatart

Painting the Animal in Me series started as a meditative process, which helped me to calm my reeling and often overwhelmed ‘animal mind’ during an emotionally challenging time. I have very little control of the shapes and forms created during the inkblot making and so, had to learn to surrender to the process, which, in turn, helped me to surrender a bit more to life. Because of the unpredictable results of the inkblots, I’m always surprised by the results and what people see in them.


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Watch my interview with art critic Tabish Khan where I talk about the project and reveal his Animal in You painting 

Other Ways You Can Help

Animal in You is an insightful collaboration between artist and viewer and the paintings that result from this amalgamation of minds are delightfully surreal. The Animal in You series is about starting a conversation and opening your mind to see things from different perspectives, after all it’s very rare for different people to see the same thing in the same inkblot.

If you can’t support the campaign financially, please share it with those who might like the idea behind Animal in You. Ask them what they see. You might discover something interesting about them! If you know any animal lovers, psychologists or lovers of the human mind and how it works, please share this with them.

This is a great time to invest a small amount for an original oil painting and become a patron of mine.

Thank you for your support.

Please use the share tools to spread the word.

Kleksograph: Online Magazine Devoted to Art and Poetry Exploring the Subconscious

Thrilled to have my painting accepted into the second edition of Kleksograph

I came across this very cool and very niche magazine online called Kleksograph which I immediately fell in love with. Not only is the magazine called “Kleksograph” and kleksography is the process of creating images using inkblots (which is what I’ve been exploring in the Animal in Me series) but it’s also full of gorgeous poetry and art that centers around the subconscious and subjectivity.

“Surely every work of art is informed by the subconscious? True, but most artists would contend that their work is mainly the result of conscious, rational decisions. Some writers though, draw their ideas from dreams. Franz Kafka, for example. The Klecksograph seeks to explore and celebrate art where the membrane between it and the subconscious is at its thinnest. ”

— Peter Van Belle

I was absolutely thrilled when I submitted Kissed Cracked Killed Clipped and got accepted into the second edition of The Kleksograph. The oil painting (featured below) was based on the myth of Orpheus and Eurydice and gets its title from a play I saw with a dear friend called “The Mask of Orpheus” written by Harrison Birtwistle and performed at the English National Opera. A line from the play that transfixed me was as Orpheus was lamenting the loss of Eurydice to the underworld. It forms the title of the painting: Kissed Cracked Killed Clipped. The voice of the performer as he said the lines was haunting and full of soul. I’ll never forget it! It was an epic and surreal performance, I’ve never really seen anything like it, I was so moved.

The painting started off as an inkblot which I then developed with layers of oil paint to produce a painting inspired by myth, animal symbology and the subconscious mind. It explores the longing, anger and disillusionment of a love torn apart by unforeseen circumstances, where animal nature and masks of the ego overwhelm the figures.

The magazine is free to download, I suggest taking a look at both editions, the first one is short and sweet and the second is full of stories and poetry and features my art.

Take a look at their website below and download the magazines, you will be in for a treat 🙂

 


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Kissed Cracked Killed ClippedOil on canvas90cm diameterAvailable for sale, request detailsKissed Cracked Killed ClippedOil on canvas90cm diameterAvailable for sale, request details

Kissed Cracked Killed Clipped

Oil on canvas

90cm diameter

Available for sale, request details

Sacred Nude artworks and poetry by Francesca Simonelli

Sacred Nudes

In the days leading up to my first solo show: Sacred Nude, I have asked poet and writer Francesca Simonelli to respond to my Sacred Nude drawings. What she did completely blew my mind away! Every day until the show opens I will post some of her very special, moving and inspiring poetry for you to enjoy.

Francesca Simonelli‘s poems have touched me and many others for many years and I was over the moon when Francesca agreed to write some words in response to the Sacred Nude series of artworks. Sacred Nude was inspired by a meditation practice that resulted in the healing of body and mind. I wanted to create a series that was dedicated to my meditation practice and the joy (and struggles) I encountered therein.


Exhibition opening: 22 September 2018, 6-9pm

Opening times: 1-5pm every Saturday until 20 October 2018

Inspiring and creative workshops each Saturday

Address:

Retreat Yoga Studio

367 New Cross Road

London, SE14 6AT

See home page to RSVP


Francesca’s poetry is the most perfect companion to these Sacred Nude artworks. She speaks of presence, feminine power, sexuality and love.


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SACRED NUDE

Split me

Divide me

Open me

Unify me

Patterns become me

Creator can hide me

In plain sight…

Merge and collide me

Divinity underlies me –

You cannot deny me

Or declassify me.

Just try to demystify me

See that you will quickly

Glorify me

Ignite me.

Recognize me

Deify me

Vilify me

Lullaby me

Magnify me

Liquefy me

Multiply me

I am dark queen

I am the darkness of light

Lilith of the night

You have no chance in this fight…

I refuse to submit

Or blindly gratify.

I am amplified and fortified

I am chaos organized.

I am fertility

And creation

Birth and annihilation

I am open devastation

Cellular division

Peer inside me.

Ride me

Abide in me

Enter me

Emerge from me

Stand beside me

Or above me

And below me

Rise within me

I am mystery

And whimsy

Precision and pandemonium…

I am algorithmic and geometric

Poetic and fractal

Numerical and symbolic

I am woman

I am Pi

I am sanctified

And sublime.

I am written in tongues

And chemical symbols

Scientific and ceremonial

Rubric and ritualistic

I am digits and frequencies

Invisible yet very present

Visual and yet unseen.

Formulas and defiance

I am the ultimate contradiction

Living paradox

I am not quickly solved

Yet I am as complexly simple as can be

The most difficult of riddles

Come reflect with Sphinx

And Me….

 

I am spoken to life

By my very own voice

Birthed by Goddess

Guided by Providence

Matrix created

And infinitely multiplying


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New Commission: Eden’s Garden

Eden’s Garden


My newest commission.Title: Eden's GardenMedium: Mixed media on paperSize: 59.4 x 84.1cmMy newest commission.Title: Eden's GardenMedium: Mixed media on paperSize: 59.4 x 84.1cm

My newest commission.
Title: Eden’s Garden
Medium: Mixed media on paper
Size: 59.4 x 84.1cm

 

Eden’s Garden is the commission I completed recently. I don’t share all my commissions but this one was such a joy to create and my client and I were so pleased at how it turned out, I thought I would share it with you.

My commission process is simple. It starts with a brief conversation about what kind of artwork you want, in what theme etc. After we have sorted out the size, figures and themes I draft up a few ideas in the form of digital collages which I then send to the client to discuss. After discussing what we like and don’t like, we work together to choose the most thrilling composition which I then create the final artwork from, using graphite, spray paint and wax pencil on paper (in this case).

I fell in love with this drawing as I was making it. My client wanted Eve in the garden of Eden but I thought she would be lonely so I brought in Lilith to keep her company;) I decided to include Lilith and Eve in a sensual display of youth, eroticism and femininity. The flower of Life unites the figures through the snaking  pythons, one of which (on Eve’s shoulder) is an albino.


Title: Eden's Garden (commission)Medium: Mixed media on paper with shimmering metallic spray paint which makes it shimmer in a way you can only really see in real life!Size: 59.4 x 84.1cmTitle: Eden's Garden (commission)Medium: Mixed media on paper with shimmering metallic spray paint which makes it shimmer in a way you can only really see in real life!Size: 59.4 x 84.1cm

Title: Eden’s Garden (commission)
Medium: Mixed media on paper with shimmering metallic spray paint which makes it shimmer in a way you can only really see in real life!
Size: 59.4 x 84.1cm

Close up of Eve. My client didn’t want the ladies to look identical so I thought it fitting to give Lilith (the Femme Fatale) darker hair and the innocent Eve, blond hair. Slightly stereotypical, I know, but I was playing on the traditional signs of a Femme Fatale vs an innocent, virginal being. What my client did specify, and these are in his words not mine (look away all you gentle souls) “Eve must have a hairy c*** or I’m not interested”

I had no problem with that. So with these things in mind I created Eden’s Garden and my client is thrilled with it so so am I. Hope you like it!


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Legs That Go Go GO! New paintings by Jessica Ballantyne

Legs That Go Go GO! New paintings by Jessica Ballantyne

 

surreal, oil painting, painting, studio, artist studio, legs, lace, blue legs, surrealism, dark art, erotic, strange, dream, subconscious, bedding, bed landscape, landscape, desert, sky, clouds, hold up stockings, lace, stockings, fishnet stockings, bright, vibrant, yellow, blue, feet, double, mirror image, mirror, feminism, objectification,

 

The days are getting longer, which means…
more daylight hours in the studio for painting!!
It also means I can almost start cycling to the studio again, through the beautiful Rainham marshes, which is a healthy pleasure:)

I am very happy to announce that the two paintings I have been working on- for too many months now, are finally complete!

This year I am focusing on creating 12 large oil paintings in the theme of bed and dream. These are the first two in the series. See that big canvas behind them that they are resting on in the above picture? I have made two that size that will be the next two paintings…My aim is to have my first solo exhibition in the beginning of 2016!

landscape, legs that go all the way up, humourous art, strange art, vibrant art, oil painting, contemporary art, south african artist, surreal, oil painting, painting, studio, artist studio, legs, lace, blue legs, surrealism, dark art, erotic, strange, dream, subconscious, bedding, bed landscape, landscape, desert, sky, clouds, hold up stockings, lace, stockings, fishnet stockings, bright, vibrant, yellow, blue, feet, double, mirror image, mirror, feminism, objectification,

 

Inspiration

 

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The title, Legs that Go Go GO! is a response to the phrase; “Legs that go on forever” a phrase used to describe a tall, slender (attractive?) women.

I have subverted the phrase with “legs that go go go” not only to insinuate the length and mirrored quality of the legs (that really do “go on forever”) but also to insinuate action…something that is rarely attributed to the female form in art and the media.

These legs are muscular and ready to run!

There are a few artists that were visually inspiring for this piece. Joan Jonas being one and Hans Bellmer being another. Bellmer was interested in the fetish. His dolls incorporate adolescent-looking female parts and clothing.

Although he insisted his work was an opposition to the fascist Nazi government, politics aside, one cannot ignore the nudity and prepubescence of these sexually displayed dolls, that make his work as much of an expression of his own sexuality through the female form, as a rejection of the Nazi rule at the time.

Where Bellmer uses images of adolescence ( school shoes, socks, prepubescent body), I added a more “adult” signifier of sexuality and sexual allure and availability- that of the fishnet stocking.

I chose fishnets because they have the same quality that lace has, which I love for the same reason- in that it covers without covering and reveals without revealing completely.

I placed the legs in an unfamiliar surrounding.

They are the inhabitants of a strange land- a kind of bedding, desert landscape- a soft place to run and walk around. I did this because I find the bedroom has always been an important place for me -a space of comfort, privacy and security- to sleep, to dream, to create, amongst other things 🙂

I also associate the bed with death and rebirth; I see deep sleep as a kind of death- death of ego, and waking up as the rebirth of ego and identity.

 

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The Doll c.1937-8  Hans Bellmer 1902-1975  Medium: Photographs, black and white, and ink on paper Dimensions Support: 185 x 752 mm frame: 211 x 781 x 18 mm  Photo: © Tate, London [2015] 

 

I suppose my legs are a direct response to Bellmer’s leggy doll; a sexualised and disfigured female anatomy. However the response is a critical one. The legs in Legs that Go Go GO! are not lying down, they are not passive.

They actively confront the viewer.

My aim was to create an uncanny, living presence in the legs. I wanted to give an uncanny strength and presence to an often purely sexualised part of the female body.

 

Process Pictures

 

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landscape, legs that go all the way up, humourous art, strange art, vibrant art, oil painting, contemporary art, south african artist, surreal, oil painting, painting, studio, artist studio, legs, lace, blue legs, surrealism, dark art, erotic, strange, dream, subconscious, bedding, bed landscape, landscape, desert, sky, clouds, hold up stockings, lace, stockings, fishnet stockings, bright, vibrant, yellow, blue, feet, double, mirror image, mirror, feminism, objectification, close up,

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landscape, legs that go all the way up, humourous art, strange art, vibrant art, oil painting, contemporary art, south african artist, surreal, oil painting, painting, studio, artist studio, legs, lace, blue legs, surrealism, dark art, erotic, strange, dream, subconscious, bedding, bed landscape, landscape, desert, sky, clouds, hold up stockings, lace, stockings, fishnet stockings, bright, vibrant, yellow, blue, feet, double, mirror image, mirror, feminism, objectification, close up, artist studio, Jessica Ballantyne, legs that go

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Jessica-Ballantyne-Painting-in-progress

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Jessica-Ballantyne-in-progress

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September Open studios;High House Production Park 19- 21st September 2014

September Open studios; My First Acme Artist Open Studio at High House!

Invitation to High House Artist’s Open Studios; Studio 207

Very excited to announce the open studios. I was lucky to find such a space, in a truly amazing building, with a vibe and studio that I absolutely love!

There’s lots happening, with artists giving talks and demonstrations, followed by live performances and more! See below for the schedule…

 

high house, artist studios, production park

Schedule of Events

Friday 19 September, 10am-­‐5pm:

Working Studios Day! See artists working in their studios (I am in studio 207 on the top floor) !  Find out about their practice and take part in events and demonstrations throughout the day;

10.30am – Lesley de Freitas (Studio 111): Applying fine art to fashion
11.30am –Anna Masters (Studio 110): Painting demonstration and talk
12.30pm –Justin Malewezi (Studio 203): Model making and stop motion animation (limited numbers)
1.30pm –Philip Melling (Studio 006): Demonstration of oxyacetylene cutting, forming and joining (limited
numbers)
2.30pm –Lata Uphadhyaya (Studio 205/6): The evolution of work from idea, drawing, production of clay
maquette, through to finished piece
3.30pm – Sue Cooper (106): Practical session on making giant paper mushrooms
4.30pm –Jolanta Jagiello (Studio 121): Demonstration of plasma cutting
6.30 Onwards- Pop-up exhibition and drinks reception at the Backstage Centre, High House Production Park
7.30 Onwards- Backstage Centre Autumn showcase: an exciting mix of comedy and music from the local community. Tickets are free but must be booked before you come – book your tickets here.

Saturday 20 and Sunday 21 September,

10am-­‐4pm: Open Studios

Artists will be in their studios, ready to talk about and show their work. This in an opportunity, for anyone interested in the world of artists, to engage with them and their work in the artist’s own environment. Many of the artists will have work for sale as well.

When

Opening Night Friday 19th Sept

10am -5pm
pop up gallery 6pm
and Live showcase 7:30pm (book your free tickets here)

Saturday 20th and Sunday 21st

11am -4pm

Where

High House Artists’ Studios, off Purfleet Bypass, Purfleet, RM19 1AS

For detailed directions visit their website

 

I am very happy to announce that Eye-Balling is finished!

This is a piece that explores the gaze and how we look at ourselves and others. This oil painting comments on the nature of self objectification. Self-objectification is the process by which women are conditioned to view their bodies as objects to be looked at.

Each canvas holds a different piece of the body or abstraction of the body. There is distortion and repetition of body parts and an overwhelmingly ‘pink’ and fleshy feeling that contrasts with eyes that are solid, easily recognisable and that stare out at the viewer.

I indulged myself with textures more than usual in this piece, and the combination of spray and oil paint with the lace layers gives it an almost translucent feel.

I will be offering limited edition prints of each section of the piece, made to order for around £45. They will be 40x40cm (as original canvas size) on museum grade paper (Hahnemuhule German Etching paper) and archival ink; the good stuff. They will be limited to 20 of each and will be signed and numbered in pencil.

Interested in a print? Contact me via the Contact page and I’ll send along the details:)

 

 

 

High House Artist’s Open Studio

High House Artist’s Open Studios in association with Acme Studios

See the artists at work Friday 19th September -21st

I have been in my new artist studio for two months now, after moving from Second Floor in Woolwich, and I am very chuffed! With the location of the studios being right next to the Royal Opera House production park (where they build sets etc) you are guaranteed a creative hub like no other. Beautiful and peaceful surroundings make this space a lovely place to be and to work.

high house studios, artist studios, purfleet studios, Jessica Ballantyne, thurrock artists, high house production park, royal opera house, set design

high house, artist studios, production park

Invitation to High House Artists Open Studios

Very excited to announce the open studios. I was lucky to find such a space, a truly amazing building, vibe and a studio that I absolutely love!

After wandering around the artist’s studios and having a look at us in action, I hope you can join us for the Pop-Up Gallery at the Back Stage Centre with a Live Showcase afterwards (not sure what this will be but it sounds thrilling!)

When?

Friday 19th
Open Studios: 10am -5pm
Pop-Up Gallery: 6pm-7:30pm, Live showcase: 7:30
Saturday 20th and Sunday 21st
Open Studio: 11am -4pm

Where?

High House Artists’ Studios,
off Purfleet Bypass,
Purfleet,
RM19 1AS

By Train:

Purfleet Railway Station is the nearest stop to the Production Park. It is located on the C2C Line, with trains leaving regularly from London Fenchurch Street and Southend Central Train Station. The High House Production Park is a 15-minute walk. Turn left out of the station and walk straight up the London Road, the High House is the large cream house on the left-hand side.

By Car:

Take the M25 and leave the motorway at Junction 31. Then join the A1090 (Stone House Lane) towards Purfleet railway station. At the roundabout with Purfleet Bypass, continue on the A1090 (London Road) for about 300 yards until you see signposts for the High House site which is on your right.

If  you are travelling by car from London on the A13, take the A1306 towards Purfleet and at the Stonehouse roundabout turn right onto the A1090. At the roundabout with Purfleet Bypass, continue on the A1090 (London Road) for about 300 yards until you see signposts for the High House site which is on your right.

 Visit me in my studio, I am in number 207

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Hope to see you there! Sign up to my newsletter to stay updated:)

News from the Studio; Venus and I

News from the Studio; Venus and I

Progress pictures of current work; Charcoal drawings inspired by the Venus of Willendorf

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I am in the process of creating two charcoal and paint, circular drawings inspired by the Venus of Willendorf statue, the first known example of a sculpted female form. What interests me about this figure is not only the subject matter, but the fact that it is the first known sculpture of a female body and we have no idea what its purpose was.

We can only speculate that it was a symbol of fertility or a kind of ‘good luck’ charm used in fertility rituals. This is because of the apparent emphasis on the genitals, breasts and buttocks. It is also speculated that it could have had a pornographic function or even been made as a self -portrait. Because of its small size, it was thought to be made to be carried around or held in one’s hands during rituals. But essentially we have no idea.

Venus of Willendorf, fertility statue, art inspired by, fertility goddess, charcoal venus,

 

The Venus figurines were made by prehistoric civilisations, mostly in Europe, but stretching as far as Serbia and Asia. There have been no male figures found. How long have we been mystified by the reproductive functions that are made visible through the female body? It seems it’s what drives us in everything we make and and do and reflected subconsciously in the shape of our surroundings and objects.  It seems that everything is driven by this pulse of life. In this way I see sex and spirituality as inextricably linked.

The nickname ‘Venus’ is now seen as controversial because of its western origin and associations with an idealised, western, female beauty and ideology. In academia the statue is now to be know as the “Woman of Willendorf”. I prefer ‘Venus of Willendorf’ personally, why shouldn’t she be a goddess? 🙂

In these pieces I wanted her to come to life. As a figure with associations of fertility and child birth, I wanted her to be ‘bursting from the seams’ if you will, about to pop out of her confined womb-like space and out of her stigma as fertility object. From a tiny sculpture apparently designed to fit in your palm, to the dynamic, large scale charcoal body that threatens to burst forth from her gender constraints.

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Photo of Venus statue accredited to Matthias Kabel